Leave every thought and expectation you've ever had at the door. Watch and wait with the imagination of a child and the patience of her mother. Take in the silence, the scents, the peace, and soon the magic will come.
This guide was not written in a classroom or a laboratory. It was written from dark fields beside Ontario lakes, from gravel shoulders on rural roads, from a beach I've stood on alone hundreds of times while the rest of the world slept. Written by someone who shoots with cameras held together with Krazy Glue, tripods salvaged from another era, and kit lenses that have no business producing the images they somehow produce.
I am not a scientist. I am not a formally trained photographer. I am someone who has chased the aurora for 25 years and spent the last 15 of them pointing a camera at it — with a decade in between where life had other priorities, as life tends to do. What this guide contains is that accumulated attention, organized into something I hope serves you well in the field.
Read it top to bottom and inside out, the science builds naturally from one chapter to the next.
Some nights you will stand under a sky that moves you so completely you forget to breathe. Some nights you will drive an hour into the dark and come home with nothing but the quiet and the stars. Both nights are the right night. The ones that give you nothing teach you everything. The ones that deliver, and they will deliver — will pay off every patient hour you ever spent waiting.
I have missed more shows staying home than I have ever missed in the field. A thousand nights I didn't go. Don't be me on those nights. The aurora does not care what camera you're holding or how much you know about solar wind. Your only job is to be there.
Happy Chasing Friends. — Sara, MadSara Images
The magic of the night sky typically happens when the sun's active regions face Earth during its 27-day axial rotation. To begin exploring this phenomenon, here are the key terms you'll encounter, not as homework, but as a language. Once you know the words, the sky starts to tell you things.
There are two main ways the aurora reaches you. Understanding which one is driving on any given night changes how you plan your chase.
When a coronal hole is active and Earth-facing, it will return to an Earth-facing position approximately 27 days later. Mark the date of any significant show on your calendar and watch the 27-day window forward. This is what separates experienced chasers from lucky ones. You stop waiting to be notified and start anticipating.
More activity in March and September is not a coincidence. Because of Earth's tilt, our magnetic field and the Sun's are most effectively misaligned during the equinoxes — making it much easier for the Bz to flip South and crack our shield, even during quieter solar wind periods.
Mark your calendar: March 15 – April 10 and September 15 – October 10. These are your prime windows. Have your gear ready.
| G-Scale | Kp | Level | Aurora Visibility |
|---|---|---|---|
| G1 | 5 | Minor | High latitudes, northern US states |
| G2 | 6 | Moderate | New York, Idaho — watch window for Ontario |
| G3 | 7 | Strong | Prime Ontario chase night |
| G4 | 8 | Severe | Alabama, Northern California — exceptional |
| G5 | 9 | Extreme | Florida, Texas — once in a decade |
At 43.5°N — roughly Southern Ontario — a G2 to G3 is your realistic sweet spot. Don't chase the Kp number. Chase the Bz.
Three data points. That's all you need to make the decision to chase. When all three align, you go. Open SpaceWeatherLive on your phone or laptop, tap the three lines in the top right corner, select Auroral Activity, then select it again to open the full live dashboard.
If the Bz line on the graph suddenly dives straight down, an outburst is likely happening right now. That's your "Look up NOW" moment. Set notifications in the SpaceWeatherLive app for your specific Kp threshold so you don't have to watch the charts 24/7. And remember — check the northern horizon with your phone camera in Night Mode first. The camera often sees the green glow before the human eye does.
Where you stand on Earth changes everything. The difference between Zone 1 and Zone 4 is not just distance, it is an entirely different relationship with the sky above you.
| Zone | Location | Primary Goal | Main Enemy | Minimum Thresholds |
|---|---|---|---|---|
| Zone 1 · Sub-Arctic | 50°N+ · Moosonee, Red Lake, Kenora | The Corona — exploding overhead from the Zenith | Clouds & Cold | Bz slightly positive OK · 300+ km/s |
| Zone 2 · Northern Shield | 46–50°N · Sudbury, North Bay, Sault Ste. Marie | The Arc — high green curtains sweeping overhead | Clouds — Great Lakes moisture | Bz −2 to −5 nT · 400+ km/s |
| Zone 3 · Central Highlands | 44–46°N · Muskoka, Bruce Peninsula, Grey County | The Pillars — vertical fingers from the horizon | Terrain & Trees | Bz −5 nT sustained · 450–500 km/s |
| Zone 4 · Lower Lakes | 42–44°N · GTA, Hamilton, Niagara, Lake Erie, Sarnia, London | The Glow — deep red/purple tops of distant storms | Light Pollution | Bz −10 nT or lower · 600+ km/s |
The Vantage Point Zone — Muskoka, Bruce Peninsula, Grey County, the Escarpment, Barrie North
Here elevation is key to overcoming the atmosphere. You are too far south for the oval to be frequently overhead, so you rely on an unobstructed view. By finding high ground, like the Escarpment or certain elevated lookouts — you can physically look over the lower, thicker atmosphere to see the upper parts of the light show happening further north.
You are seeking vertical structures. The base of the aurora, the green arc — may be hidden by the horizon or distant obstructions. What you will see are the pillars: purple and red columns of light reaching high from the northern horizon. A faint shimmering on the northern horizon is often the aurora. A camera is essential to confirm colours before your eyes can fully adjust.
The Extreme Southern Challenge — GTA, Hamilton, Niagara, Lake Erie Shores, Lake Huron, Sarnia, London, and potentially every back road in between
If the graphs show minimal activity, stay home. Only when these extreme conditions align does this region offer the rare, deep red auroras. But when they do align, and they will, it is worth every kilometre of dark road you drove to get there.
You do not have to drive hours past cities to see them; but you may need to drive an hour past your city to find a dark open area to park. From the GTA, lean southeast of Lake Simcoe rather than toward Barrie. Have multiple tested locations. When one horizon is socked in, another may be clear.
From a latitude of 43–44° north, watching the aurora is an exercise in patience and timing. Anywhere from a slow moving opera to a 90s basement back door techno rave, or both. Once you've stayed all night enough times you start to feel the pattern. You almost say to yourself: oh, here comes the rave show.
These are real and documented phenomena; but the science community does not universally classify them as aurora, and some researchers feel quite strongly about that distinction. STEVE is caused by a fast-moving hot plasma ribbon in the ionosphere — an emission of heat, not particle precipitation the way true aurora is. Whether the green Picket Fence that frequently accompanies it is genuine auroral emission or something else entirely is still actively debated. The SAR arc adds further complexity, where one phenomenon ends and another begins is not always clean science. Observe it. Photograph it. Wonder at it. Just hold the label loosely, and if someone in the science community corrects you, they're probably not wrong.
And honestly? In the moment — standing in a dark field watching any of this unfold above you — the name doesn't matter one bit. The debate can wait until morning. What's happening in that sky is magic. Sit back and watch it.
Aurora colours are determined by which atmospheric gas is being excited and at what altitude. Understanding this explains why your camera sees colours your eyes cannot.
A clear sky on a weather app is only half the story. At 43.5°–45°N you are peering through hundreds of kilometres of low-altitude atmosphere on any given night. Here is everything that can stand between you and the lights.
There is much debate about the moon. Albeit if there are atmospheric elements at play this can be true — it's not the moon you loathe, it's those pesky layers of moisture, cloud, smoke and fog. The moon can actually be a useful tool for locking focus if stars aren't giving you enough contrast.
Ontario shoulder seasons are some of the best aurora windows of the year. They are also most likely to end your shoot early if you aren't prepared. Dew forms fast on a cold lens and frost forms faster — either will soften your image so gradually you may not notice until you're home wondering why everything looks like it was shot through a shower door.
I shoot with a Canon T2i, a Canon T6, and a Nikon D7000. Kit lenses. My tripods are relics from Blacks, the film photography institution of the 80s and 90s — repaired and kept alive through what I will generously call field engineering. One of my T2i's has a mirror I reglued myself. The entire May 2024 G5 shoot was photographed through a Krazy Glue thumbprint. I still love that camera.
I tell you this because the most common thing that stops new chasers from even trying is the belief that they need better gear. You don't. You need to go outside. The aurora does not care what camera you're holding. What separates a good aurora photograph from a missed one is almost never the equipment. It is being there, being ready, and understanding your light.
These settings are built from kit lenses at 44° north across hundreds of nights. Use them as your launch pad, not your destination. The best setting is always the one that captures what you're seeing. Adjust up or down to your suiting.
| Condition | ISO | Shutter | Aperture | Notes |
|---|---|---|---|---|
| Faint / Quiet Night | 6400 | 20–25s | f/3.5 | Finding the arc. Camera sees it before your eye does. |
| Moderate — Baseline | 3200 | 15s | f/3.5 | Your starting point every night. Dial from here. |
| Strong Show G3–G4 | 1600 | 6–8s | f/3.5 | Pull shutter first, then drop ISO if still blowing out. |
| Extreme Show G5 | 800 | 1–2s | f/3.5 | May still be too much. Adjust continuously. Enjoy every second. |
| Overhead Corona | 1600 | 1–2s | f/2.8 | Pillars move fast overhead. Point straight up. Don't overthink it. |
Most people standing in a dark field have a phone in their pocket and not a DSLR on a tripod. That's fine. Cell phones have come a long way and the most important thing they can do is confirm the aurora is there before you've even set up anything else. Point your phone at the northern horizon in Night Mode — if something green shows up on your screen that your eyes can't see, you're in business.
Use Night Mode — it activates automatically in low light. For better results open the Camera app, swipe to Night Mode manually and set the exposure time to the longest available. Keep the phone completely still. A mini tripod or propping it against something solid makes an enormous difference. For video — tripod is non-negotiable. Handheld aurora video in the dark is unwatchable.
Look for Pro Mode in your camera app. Set ISO to 1600-3200, shutter speed to 10-15 seconds, focus to manual infinity. If your phone has an Astrophotography or Night Sight mode — use it. Same rule applies: still phone, stable surface, tripod if you have one.
The Astrophotography Mode in Night Sight is genuinely impressive for a phone — it stacks multiple exposures automatically. Set your phone on a stable surface, open Night Sight, and let it do its thing. Patience required — it takes several minutes to build the image but the results can be remarkable.
A phone pressed against your face with your arm extended is the worst possible aurora camera. Stable surface or tripod, every time. Even propped against a rock on a fence post beats handheld by a mile. For video especially — if it's not on a tripod, don't bother. The aurora moves but it doesn't move fast enough to justify shaky footage.
Full device-specific guides with sample settings coming as standalone articles at madsaraimages.com.
The most common mistake is giving too much frame to the ground. Aurora is a sky event. Place your horizon in the lower quarter of your frame — roughly one quarter ground, three quarters sky.
If one location has open water to the north, take it every time. Water reflects the light, doubles your colour, and gives you a natural leading line. Large open water like Lake Huron means no light bleed from the far shore, just uninterrupted dark horizon exactly where you need it.
One compositional choice transforms an aurora photograph into something that stops people mid-scroll — put a person in it. A single silhouetted figure on a shoreline gives the entire image its emotional weight. It tells the viewer how small we are under that sky. It doesn't need to be staged. It just needs to be there.
The chase looks different every time.
After years of chasing I have seen things on rural Ontario highways that would make your hair stand up faster than a G5 storm. Highway 21 at midnight, cars stopped dead, not pulled over, not on the shoulder, dead centre of the road because someone saw green on the horizon and forgot they were operating a vehicle. Please don't be that person.
Find a safe and complete pull-off before you stop. A public conservation area, a municipal lot, a wide shoulder — anything that gets your vehicle fully off the road. The aurora will wait the two minutes it takes to park safely. The car behind you may not.
Ontario is massive. You do not need to crowd the same three spots everyone posts about online. I have watched a beloved night sky preserve here in Ontario deteriorate over five years from a quiet sanctuary into a road lined with fast food garbage and worse. The parking lot holds fifteen cars for a reserve that protects endangered flora and species that were there long before any of us pointed a camera at the sky.
Please think beyond the famous spots. Explore. Ontario rewards the curious chaser generously. If you do arrive somewhere another chaser is already set up — lights off, voices low, give them their space. We are all out here for the same silent magic.
White light is the enemy of dark adapted eyes and long exposures alike. Use a red light torch for everything once you leave your vehicle. One careless flashlight can ruin an exposure that took twenty minutes to set up.
I pick up garbage almost every time I go out. Not righteously — rightfully. Every dark sky location you visit is someone's home, someone's livelihood, or someone's protected wilderness. Pack out everything you brought in. Stay on the paths. The aurora community in Ontario is small enough that word travels fast.
Use the Light Pollution Map at lightpollutionmap.info to find dark sky zones overlaid on a map of public access areas. The reader finds their own spot using the tool, that skill serves you for life. Aim for Bortle Class 4 or lower when hunting from the GTA corridor. Have multiple tested locations so when one horizon is socked in, another may be clear.
My first night shooting aurora was May 2017. No tripod — camera propped between rocks on the shore. We were camping on a small peninsula open to the water with about a 120 degree view of Lake Huron, and the water started to look like the sun was coming back up. I've spent my whole life in one way or another on the lake so I'm familiar with the lighting as a peripheral instinct. I said to Tony — it seems like the sun is coming back up, or the moon is, but they've both just set. This was Bruce County. A G3. I had no idea. Seasoned chasers to the north pointed me toward the data afterward.
For the next three to four months I'd pack us up and head back up every week to see what I could see. Then in September, in nearly dusk, the sky started lighting up to the naked eye just a side road from where I lived. I'd been out shooting the contrast of a shelf cloud coming in from the southwest over a bean field when the notifiers started going off. I went back out at dusk with my short lens and learned something — why am I driving anywhere unless I'm driving extreme north for a whole different experience? I don't need to go far. I began to tinker with locations and eventually found my triangle of spots. That has since expanded to six locations I move between.
I have shot aurora on nights there were no notifications. I have felt let down on many nights there were. My best advice is to learn as much as you can from the patterns. If you're really interested in catching the shows you have to learn the quiet times too — the Kp 2.67 where you look at the oval and think, hmm, I'll give it a whirl. It helps if you're someone at war with sleep.
Happy Chasing Friends.
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Activity data is probabilistic. Always verify with SpaceWeatherLive before you chase.
Every night in the dark has its own reward. — Sara
A quick-reference guide to the language of the sky. Flip here when you hit a term you don't know.
| Short | Full Name | What it means for you |
|---|---|---|
| Bz | IMF North-South Component | The magnetic key — must be negative to open Earth's shield |
| CME | Coronal Mass Ejection | The cannonball — triggers the biggest storms |
| CIR | Co-rotating Interaction Region | The 27-day recurring driver — most predictable aurora source |
| HSS | High Speed Stream | Fast solar wind from a coronal hole |
| Kp | Planetary K-index | 0–9 storm gauge. Use live data for real-time decisions. |
| IMF | Interplanetary Magnetic Field | The Sun's magnetic field carried through space by solar wind |
| DSCOVR | Deep Space Climate Observatory | Gives us 30–60 min advance warning on solar wind |
| NOAA/SWPC | Space Weather Prediction Center | Official alerts, forecasts and live solar wind charts |
| nT | nanoTesla | Unit of magnetic field strength, the Bz number you watch |
| G-Scale | Geomagnetic Storm Scale | G1 (minor) to G5 (extreme); G3+ usually reaches mid-latitudes |
| CH | Coronal Hole | Open magnetic region on the Sun — source of HSS and CIRs |
| UTC | Coordinated Universal Time | All space weather data uses UTC — know your offset |
Your primary dashboard. Real-time Bz, speed, Kp, notifications. Start here. Always.
spaceweatherlive.comShows where the aurora is sitting right now and how far south it's pushing.
swpc.noaa.govGold standard for transparency, smoke layers, dew point. Run before every chase.
astrospheric.comRaw Bz, Speed and Density live from the DSCOVR satellite.
swpc.noaa.gov/real-time-solar-windContinuous HD full-disk views of the Sun across multiple wavelengths. Watch coronal holes develop and rotate into Earth-facing position.
sdo.gsfc.nasa.govHourly Kp updates, real-time solar wind metrics and 3-day space weather forecasts in one place. Bookmark this.
swpc.noaa.gov/enthusiasts-dashboardDefines G1–G5 storm levels, what they mean for your latitude, and what conditions are required. Know the scale.
swpc.noaa.gov/noaa-scalesNavigate the solar disk in real-time, view coronal holes and filaments overlaid, track their position relative to Earth.
swe.ssa.esa.intHighway cameras — check if a clear forecast is actually foggy before driving north.
511on.ca